No matter where you looked for cinema, 2017 was a great,
rich, and varied year for the art of film.
It was most assuredly not
a great year for the business or culture of film, and this must be
addressed before we get back to the art, for any assessment of 2017 would be
grossly incomplete without that consideration. A growing revolution in American
culture had a major part of its epicenter in the film industry, as the abuses
of a seemingly endless parade of awful, powerful men were revealed, exposing an
insidious and systemic rot that has hurt more people and robbed the world of
more great careers than we may ever truly understand. Multiple online film
coverage outlets and the gatekeepers controlling them were similarly outed,
while a major theatre chain whose arms extend into film festivals,
distribution, and much of modern film culture was revealed to have a CEO who
actively covered up and enabled a serial sexual harasser. No American industry,
no segment of American life, has been or will be immune from the #MeToo wave,
nor should they be, for this is a systemic cultural cancer that we are all of
us, men especially, responsible for recognizing and taking active steps to
improving. But the entertainment industry was a major and critical part of this
revolution, and will continue to be going forward, and as long as we enjoy and
discuss and write about film or television, we must also be vigilant in
supporting the voices of those who have been hurt and working, in whatever
small or large ways we can, to change and improve our culture going forward.
But as small as it all can seem in the face of such
widespread abuse and suffering, let us return to the art. I find it remarkable
not only how many truly great films were released in 2017, but in how many
places they could be found. From the smallest arthouse to the biggest
multiplex, 2017 offered a steady stream of smart and soulful artistic
accomplishments. Hollywood’s tentpoles were far better than average, with the
creatively resurgent superhero genre having its best year to date – Patty
Jenkins’ Wonder Woman and James
Mangold’s Logan both rank among the
genre’s greatest entries – while some of our most interesting commercial
filmmakers delivered great new experiences, from Matt Reeves’ biblically scaled
War for the Planet of the Apes to
Steven Soderbergh’s effortlessly charming Logan
Lucky. The festival circuit was particularly rich, and I found most of the
glut of year-end ‘awards’ films unusually compelling, from Guillermo del Toro’s
impossibly sweet The Shape of Water, to
Jonathan Dayton and Valerie Faris’ insightfully mounted Battle of the Sexes, to Scott Cooper’s thoughtful revisionist
Western Hostiles, to Steven
Spielberg’s wildly timely and wonderfully performed The Post. Streaming once again gave home to some real gems, like
Dee Rees’ piercing period drama Mudbound,
and the entire year was peppered with under-the-radar gems like Matt
Spicer’s social-media-stalking comedy Ingrid
Goes West or the documentary David
Lynch: The Art Life, which is one of the great films ever made about the
artistic process. And I don’t even
know what category it fits in at this point, but John Wick: Chapter 2 kicked an unholy amount of ass.
None of these films are on my Top 10 list.
I found 2017 a particularly competitive year, for all the
reasons outlined above. My Top 5 came together pretty quickly, and it then took
a lot of watching and rewatching and hand-wringing to whittle down the next 5.
But the final list feels like a very good summation of my personal journey through
film this year, and it was extremely rewarding to write about each of them for
this piece. I have structured this year’s list a little differently than the
past, leaning in to my own allergy to brevity and writing a miniature
3-paragaph essay for each movie, with a longer piece for my #1 film. I wanted
to lend a little more substance to the list this year, both because I didn’t
have the chance to write full reviews of most of these films, and because
writing at a more ‘academic’ length simply comes more naturally to me. The
result is one of my favorite Top 10 lists I’ve ever had the pleasure to write,
and I hope it is one you enjoy.
So without further ado, continue
reading after the jump for my Top 10 Films of 2017…