Review: "May December" is Todd Haynes at his most tonally complex - and rewarding
Featuring career-best work by Natalie Portman
There’s a moment right near the beginning of Todd Haynes’ May December where Julianne Moore goes to get something out of the fridge, and the camera zooms in dramatically with a big soap-operatic musical sting as she looks furtively over her shoulder; it’s a jarring stylistic intrusion, a moment out of a cheap TV show or an even cheaper 80s slasher movie…
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