Review: “The Holdovers” is the best film of 1970, and maybe of 2023
Alexander Payne has given us one hell of a Christmas present
I love this movie like it’s a person.
I love it from the most basic layer of shape and texture – literally. I got a chill down my spine when the lights went out and the theater adjusted its masking to my favorite aspect ratio, 1.66:1, and then another when the film began with a classic MPAA rating card and 1970s-style logos for the production companies. …
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